This GH5S is of course better for higher ISOs. It's not that it's rare to find us talking about a camera. 06/21/2019: Review Conclusion posted. When it comes to performance metrics, it's no surprise that this camera shares a lot of similarities to the GH5. Looking at the GH5S, it's hard to say exactly who this camera is for. $2500 for such a masterpiece of a camera is so mind boggling that I think that it even gets ignored, so flabbergasting is that concept. It looks as clean as a shot I would expect at something like 400 or 800 ISO; it's that good. And there are certainly some noteworthy features targeted specifically at still capture, such as a 14-bit raw file format, and an all-red, night vision-friendly user interface mode. âAs a camera that excels in shooting in low light, the LUMIX GH5S boasts -5EV luminance detection performance with Low Light AF thanks to the higher sensitivity and optimized tuning of the sensor. Is it more important to have good ISO and IBIS, or excellent ISO and no IBIS? Startup and mode switching are reasonably fast, while autofocus speeds and shutter lag are pretty quick. The GH5S is also slightly slower to focus than the GH5, though not to a significant degree. It looks really good, but you'll notice that there are some very deep shadows around the edges that, though for this scene look excellent, offer no real recovery options in post should we want to change that look during editing. And as for that issue of sensor resolution, the total pixel count is stated as 11.93 megapixels. The Continuous High Speed "H" mode burst rate was excellent at 11.7 frames per second for best quality JPEGs, just shy of Panasonic's 12 fps spec. The GH5S offers better video quality, more recording options, and just tons of advanced video features. A bonus for stills and time-lapse shooters is the addition of 14-bit raw, a first for Panasonic. Then there's Cinema 4K at up to 30p with internal 8-bit and 10-bit formats, as well as 4:2:2 10-bit HDMI output. you release and press the shutter too quickly in Single Shot mode, It allows us to put different LUTs and looks over the footage to do just about anything we want. Overall, despite looking like a tried-and-true Lumix Micro Four Thirds camera, the GH5S is a unique, specialized camera; Panasonic's most specialized Micro Four Thirds camera yet. And the thing is, the GH5 wasn't even bad at 12,800. Time per shot, averaged over 600 frames, then slows to an average of 0.2s or 5.0 fps when buffer is full. (And for video, ten megapixels is still plenty even to allow for capture of Cinema 4K footage, which has a resolution of just 8.3 megapixels.). Getting the main gripe out of the way, we should talk about the lack of in-body image stabilization. Sometimes it's better to have some footage than no footage, and in those cases you can rely on the GH5S to pretty much see in the dark. (The GH5 was ISO 200 at base and ISO 100-expandable.). It's a wonderfully designed camera that may not get the widespread recognition it deserves because of its 10 megapixel label that some will refuse to see beyond and the fact that it isn't designed to be a photo camera as much as it truly excels as being a video camera. Like. Today, outside of a dedicated cinema camera like an Alexa or a RED, you will find no better filmmaking tool than the GH5S. A measure of Panasonic's confidence in the GH5S' low-light chops can be seen in its ISO range. The Panasonic GH5S is Still Among the ... Sigma Launches “I Series” with New 24mm, 35mm, and 65mm Mirrorless Lenses, Olympus Releases Lightweight Super-Telephoto Zoom Lens, ZEISS Adds to Premier Binocular Lineup with Impressive Victory SF 32, Hands-On with the Sigma 105mm f/2.8 DG DN Macro Art Lens, What to Do With Your Old Camera? You easily get two more stops over the standard GH5 and, I would say, it is usable up to ISO 12800, and potentially even ISO 25600 if you need it. It’s on the GH5, so why is it gone here? The Panasonic GH5s will definitely do better in low light. I've never been more proud of the work I've created, and I've never been so giddy to push a camera beyond what I once thought as limits only to find that those limits were only barriers put up by what I thought were great cameras before it. It's entirely another thing, and one worthy of significant praise, to choose to improve on something already excellent. A high-precision, high-speed OLED (Organic Light-Emitting Diode) display features 3,680K-dot resolution and 100% field of view. With respect. 01/08/2018: Field Test Part I posted As is usually the case, switching to electronic shutter mode actually increased lag, but not by much. The GH5S introduces four new higher-end ISO settings (and adds ISO 80 on the low end), but how many of those new ISO settings are usable? Though from a pure image-making perspective it's superior to the GH5, losing IBIS removes part of what makes the GH5 such an excellent camera. But... what if I told you it wasn't a photograph? Many filmmakers will go their entire careers without even touching one of those cameras. Joe, a couple of interesting things in that video. Many have considered the GH series to be relatively large, considering its sensor size and mirrorless design. Being able to feel comfortable up to ISO 25,600 in some cases basically makes it so I can shoot in any situation I have ever found myself. There are fewer pixels for the GH5S' DFD AF system to pull data from, so the AF speed is rated slightly slower, and our lab tests concur. 03/20/2018: Field Test Part II posted And for the earlier camera, that was it, but the GH5S will now continue on up to ISO 204,800 if you enable its extended sensitivity range. Besides sensor tech improving low-light performance—the Achilles’ heel of Micro Four Thirds, if you ask me—the GH5S gains Dual Native ISO, a function that had previously been reserved for high-end cinema cameras. (The latter approach will allow for more than two cameras to be kept in sync, too.). Panasonic has unveiled the LUMIX GH5S, a new addition to the G Series lineup with exceptional low-light performance for the professional videographer.The GH5S will be available in Australia in February 2018. If only that tech could trickle down to a less premium camera model. Here Are Six Ideas, Introduction to Lens Mounts and Lens Adapters, 10 Tips to Improve Your Aviation Photography, © 2000-2020 B & H Foto & Electronics Corp. 420 9th Ave, New York, NY 10001. Posted by 2 years ago. See the table above. Read on to find out! First there's no question the GH5S is the low light champ relative to the GH5. You have until Feb 01, 2021 to return or exchange items bought after Oct 19, 2020. This is useful, considering the GH5S is one of few mirrorless cameras that does away with the 29 minutes 59 second recording limit. The GH5S appears to want to be considered as such, so it is only fair to compare to the only camera that has been hailed as king of that segment since its inception: the Sony A7S II. Honestly, video from the GH5 actually looks better than the 1DX II, but the GH5S is on a whole other level. While the GH5 can already do so in UHD, the GH5S adds the additional pixels in Cinema 4K. Sadly, you can't just charge the battery in-camera, though, so you do have to remember to bring the charger along. Wireless connectivity options, as in the GH5, include Wi-Fi and Bluetooth radios, but not NFC for easy Android pairing. For autofocus performance, I will say the GH5S is not at the top of its class. Full-resolution buffer depth was essentially limited only by card capacity when shooting Large/Fine JPEGs (Panasonic claims 600 or more frames and we've confirmed 600). In real-world shooting, however, the AF experience is not drastically different from the GH5. It's wonderful to finally see a camera that can produce this kind of imagery at a price point that is actually affordable. The Panasonic GH5S looks mighty familiar if you've shot with the company's superb GH5, a mirrorless camera with lots to recommend it both on the still imaging and video fronts. In other words, the GH5S has decent autofocus, but it’s not going to blow you away when it comes to fast subject tracking and face detection. Reminiscent of Sony’s solution, this shoe-mounted device adds two XLR inputs and a few physical controls for handling audio, and it has a hot shoe on top for mounting something; pro audio without needing to sync later—which makes sense to me. At ISO 12,800 and higher, the GH5S does begin to falter in terms of video image quality compared to the larger-sensored 12MP A7S II. Auto Flash enabled. Plus, despite its smaller Four Thirds sensor, the GH5S competes quite impressively at high ISO video quality against high-end full-frame cameras. (180K PDF document)). In other words, DPR raves about low-light video with the GH5s, but I see the potential for stills too. So, to go one step further, Panasonic created the specialized Lumix GH5S, a video-centric GH5 that provides a number of internal components and capability changes that make it more suited to serious videographers. It can also shoot anamorphic and desqueeze that footage on a monitor all through the camera's firmware. The GH5 managed 0.129 second with the same lens. Time per shot, averaged over buffer length of 138 frames, then slows to an average of 0.17s or 5.8 fps with a lot of variation. Not so the GH5S. The uncommonly low-resolution sensor here allows for a really large individual pixel size, which makes for much improved low-light and high ISO performance. What the GH5S lacks in on-sensor stabilization (a move made by Panasonic at the request of high-end filmmakers who found it to work poorly with car, drone rigs and other mechanical stabilizers), it makes up for in pure image quality across a range of ISOs. And we're not joking when we say that this camera will pretty much focus in the dark. I want you to take a look at this portrait I shot with the GH5S during a recent shoot in San Francisco. I like the new layout, which shows different options in a paginated format and organized by likeness. (No built-in or bundled flash.). Leave a comment below!
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